Thursday, March 21, 2013

Sonnet 29

    
     SONNET 29  PARAPHRASE
When, in disgrace with fortune and men's eyes,When I’ve fallen out of favor with fortune and men,
I all alone beweep my outcast stateAll alone I weep over my position as a social outcast,
And trouble deaf heaven with my bootless criesAnd pray to heaven, but my cries go unheard,
And look upon myself and curse my fate,And I look at myself, cursing my fate,
Wishing me like to one more rich in hope,Wishing I were like one who had more hope,
Featured like him, like him with friends possess'd,Wishing I looked like him; wishing I were surrounded by friends,
Desiring this man's art and that man's scope,Wishing I had this man's skill and that man's freedom.
With what I most enjoy contented least;I am least contented with what I used to enjoy most.
Yet in these thoughts myself almost despising,But, with these thoughts – almost despising myself,
Haply I think on thee, and then my state,I, by chance, think of you and then my melancholy
Like to the lark at break of day arisingLike the lark at the break of day, rises
From sullen earth, sings hymns at heaven's gate;From the dark earth and (I) sing hymns to heaven;
For thy sweet love remember'd such wealth bringsFor thinking of your love brings such happiness
That then I scorn to change my state with kings.That then I would not change my position in life with kings.


The emotional state of the speaker in Sonnet 29 is one of depression: in the first line, he assumes himself to be in "disgrace with fortune," meaning he has been having bad luck. He also feels in disgrace with "men's eyes," implying that the general public looks on him unfavorably. This could be real or imagined, but it is enforced in line 2, when he bemoans his "outcast state." Here, "state" refers to a state of being, and in this case, he is cast out from the society.

Line 3-4 make allusion to job of the Old testament in the Bible, who was cast out onto a dung heap and called to a God who didn't listen. The poet finds himself in the same situation: Heaven personified is god, and in this case he is "deaf," making the poet's cries "bootless," or useless. The idea of cursing one's fate also hearkens to Job, who cursed himself after falling out of God's favor.

The speaker finds himself envying what others have, and in lines 5-9 he sees almost everyone as having something he lacks. He wishes to be like "one more rich in hope," perhaps meaning hopeful of literally wealthy; "featured like him," refers to someone who is handsome, with beautiful features; and another is "with friends possessed," or popular, unlike the poet (as has been established in the first two lines). In line 7, he envies the artistic talent of one man, and the opportunities afforded someone else.

the simile of a lark is developed in lines 10-12, when the speaker describes the effect that a thought of his love has on his "state," or emotional well-being. The fact that the lark rises from the "sullen earth" at "break of day" implies that the day is much happier than the night;day break is compared to the dawning of a thought of the beloved. As the lark "sings hymns at heaven's gate," so the poet's soul is invigorated with the thought of the fair lord, and seems to sing to the sky with rejuvenated hope.

The final couplet of Sonnet 29 declares that this joyfulness brought by a thought of the fair lord is enough to convince the speaker that he is better off than royalty. Here, "state" is a pun: it carries the meaning of emotional well-being, as it did earlier in the poem, and suggests that the love of the fair lord makes the speaker so happy that all the wealth of a king would not be better. But it also refers to an nation, or a kingdom.

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